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Classical music and opera by Classissima

Seiji Ozawa

Friday, September 30, 2016


parterre box

September 1

A man of widespread fame

parterre boxBorn on this day in 1751 dramatist Emanuel Schikaneder. //www.youtube.com/watch?v=t0jgsV2H7ww Born on this day in 1854 composer (not pop singer) Engelbert Humperdinck. //www.youtube.com/watch?v=aLoSxcz8HMw Born on this day in 1878 conductor Tullio Serafin. //www.youtube.com/watch?v=mxSeM6vs-3c Born on this day in 1906 tenor Aksel Schiotz. //www.youtube.com/watch?v=P0gosBcFrlY Born on this day in 1929 baritone Kostas Paskalis. //www.youtube.com/watch?v=sWgiDm95CIQ Happy 82nd birthday soprano Orianna Santunione. //www.youtube.com/watch?v=PvZ0079omh0 Happy 81st birthday conductor Seiji Ozawa. //www.youtube.com/watch?v=_EHeZfr23Ns Happy 77th birthday bass Roger Soyer. //www.youtube.com/watch?v=QAwbw5wduB0 Happy 75th birthday soprano Julia Varady. //www.youtube.com/watch?v=zrRL3rKnS_I

Meeting in Music

September 21

Recent updates to previously posted music

9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish Modern #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish Modern #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish Modern #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish Modern #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch /a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungarian Dances, 5 Studies and 2 Rhapsodies by Louis D. Alvanis (1994) 4/7/15 Ein Bach...: +1LP: Daniel Varsano's recording of the Goldberg Variations (CBS, 1980) 4/7/15 Debussy #2 +1LP: Mélodies (including Baudelaire & Mallarmé sets) by Hugues Cuenod (1979) 4/7/15 Musique Française #2 +2CDs Wagschal for Fauré's Nocturnes (2009) + Satie by Ciccolini (and Tacchino) (1986) 4/7/15 Easter Passion Music: New links 3/22/15 German Baroque chamber Music New links in the comments 3/21/15 London Baroque - Trio Sonatas: new links in the comments 3/21/15 Vivaldi - Musica ad Rhenum : new link in the comments 3/19/15 Shostakovich #1 +1CD Bernstein's 5th (NYP, Tokyo 1979) & Cello Concerto with Ma & Ormandy in Philly 1982 3/19/15 Mahler 1 +1CD Solti's recording with the LSO (Decca, 1964), a new rip by Sgorby 3/19/15 Darmstadt #3: +1CD rip by Sgorby of already posted Ligeti by Cerha (Wergo) 1971 (previously on LP rip) 3/16/15 Debussy #4 The Complete Solo Piano Music by Aldo Ciccolini on EMI (1991) (a rip by Sgorby) 3/16/15 Strauss #3 +2CDs 4 last Songs Schwarzkopf & Szell (1966) and Harper & Del Mar (1981) 3/15/15 Strauss #3 +1CD Ein Heldenleben by Haitink and the CSO (2009) 3/15/15 Stravinsky #2 +1CD The Firebird (complete) & Chant du rossignol by Kitajenko and the Danish Radio SO 1991 3/14/15 Summer Nights #1 +1CD Respighi's Belfagor, Belkis and Church Windows (Ashkenazy, Netherlands Radio Philh.)  3/14/15 Shostakovich #1 +1CD Hypothetically Murdered Suite + Pushkin Romances (Kharitonov & Elder) 1992 3/14/15 Shostakovich #2 +1CD 1st Violin Concerto (+ Glazunov Violin C.to) with Perlman & Mehta on EMI 1988 3/12/15 Prokofiev #1 +1CD Li & Ozawa's for the 2nd Piano Concerto (+ Ravel's G Major Concerto) (DGG, 2007) 3/12/15 Mahler 8 +2CDs Leif Segerstam's recording in Copenhagen for Chandos (1994) + 10th Adagio 3/12/15 Summer Nights #8 +1CD Andrew Davis recording of Brahms's 4th + the Zigeunerlieder (BBC 1996) 3/12/15 Musique Française #1 +3CDs: Boulanger's Faust et Hélène; Franck by Firkušný & Flor; Debussy & Takemitsu 3/12/15 Debussy #4 +1CD Livia Rev's recording of the Etudes (+ Suite Bergamasque, D'un cahier, Berceuse) (Saga 1980) 3/5/15 Mahler 5 +2CDs Frank Shipway and the RPO (1996) (Symphony + No. 1 by Yuri Simonov) 3/5/15 Spanish School #3 +2CDs Ginastera by Santiago Rodriguez (1984) & Mompou by Ester Pineda (1992) 3/4/15 Bartok #4 +1LP 2nd Piano Concerto and 4 Pieces for Orchestra, Weissenberg and Ormandy (1970) 3/3/15 Musique Française #2 +1CD Debussy for Piano Duet & 2 Pianos by Pascal & Ami Rogé (2011) 3/3/15 Gershwin +1CD Rhapsody in Blue (Daniel Adni in Bournemouth), Addinsell's Warsaw C.to & Rózsa's Spellbound 3/3/15 Wintery Romantics +1CD Nielsen's 2nd Symphony (A. Davis) and Sibelius's 5th (Bamert) with the BBC SO 3/3/15 Prokofiev #1 +1CD Salonen and the Berlin Philharmonic: Romeo & Juliet (Excerpts) (CBS 1986) 3/1/15 Spanish School #3 +2CDs Albeniz & Granados selection by J.M. Pinzolas + "My Piazzolla" by Cecilia Pillado 3/1/15 Debussy #1 +1CD Jeux (Eötvös), Prélude (Robertson), Satie's Parade (Porcelijn), Roussel's BeA's 2nd Suite (Weller) 2/28/15 Debussy #4 +3CDs: Anne Queffélec's 12 Etudes, Ravel's Concertos & Miroirs, Fauré's Violin Sonatas (with P. Amoyal) 2/28/15 American Classics +2CDs: Copland The Populist by Tilson Thomas & MacDowell Symphonic Poems by Krueger 2/28/15 Debussy #2 +1CD Claudette Leblanc's album of Mélodies (with Valerie Tryon) (1989) 2/28/15 Summer Nights #5 +1CD Mackerras' recording of Berlioz Symphonie fantastique (with the RPO, 1994) 2/28/15 Summer Nights #4 +1CD Mackerras' recording of Beethoven 9th for EMI (Liverpool 1991) 2/27/15 Des Horizons #2 +1LP Debussy's Chansons de Bilitis & Satie's Socrate cond. by Friedrich Cerha (1969) 2/27/15 Des Horizons #2 +1CD Debussy and Ravel Music for 2 Pianos, by Pascal & Ami Rogé 2/27/15 Debussy #4 (Etudes) +1DDL: Nelson Goerner's recording of Etudes Livre II, plus Images Livre I & Estampes 2/27/15 Des Horizons #1 +1LP, Munch's last recordings in Paris, Ravel Concerto in G (w. Henriot-Schweitzer) & Honegger 2/26/15 Wintery Romantics +1LP: Maazel early recording of Tchaikovsky's 4th Symphony in Vienna for Decca (1965) 2/26/15 Des Horizons #1 +1CD Canteloube's complete Chants d'Auvergne by von Stade and De Almeida (CBS 1985) 2/26/15 Strauss Operas #2 +1CD set: Die Frau ohne Schatten, the complete Sawallisch recording for EMI (1987) 2/22/15 Des horizons de la musique française #2 +1CD Chabrier's Piano Music by Hewitt (2004) (a rip by Alan) 2/22/15 Rachmaninov #1 +1CD 2nd Symphony by Farberman & the RPO (1978) (a rip by Sgorby) 2/22/15 Summer Nights #9 +1CD Respighi Antiche Danze e Arie per Liuto by Ozawa (DGG 1979) (a rip by Sgorby) 2/22/15 Wintery Romantics +1CD Tchaikovsky's Nutcracker by Gergiev (Philips 1998) (a rip by Alan) 2/21/15 Wintery Romantics +6CDs Tchaikovsky Complete Symphonies: Temirkanov and the RPO (BMG) (a rip by Sgorby) 2/21/15 Wintery Romantics +2CDs Tchaikovsky Swan Lake (Complete) with Sawallisch (EMI 1994) 2/13/15 The World of Debussy #5 +1LP Rip, Teddy Teirup plays "La boîte a joujoux" (+ Ravel's Sonatine) 2/10/15 Bohemian Composers of the 17th Century New links added 2/7/15 Music from the Renaissance #2 New links added 2/3/15 Shostakovich #2 +1CD Cello Concerto No. 1 by Amit Peled 2/3/15 Summer Nights #5 +1CD Cello works by H. Eccles, Couperin, Fauré & Ligeti (Amit Peled with Eliza Ching) 2/3/15 Summer Nights #10 +1CD Elgar's Cello Concerto by Amit Peled 2/02/15 Keyboard Music on Harpsichord New links completed 1/30/15 Brahms's Concertos +1CD Violin Concerto & Sonata No. 2 by Vengerov & Barenboim (1998) 1/30/15 Second Viennese School Essentials #4 +1CD Karl Weigl's String Quartets Nos. 1 & 5 by the Artis Quartett Wien 1/30/15 Schoenberg: Piano Music +1CD Pi-Hsien Chen's reference recording of the complete set (1996) 1/30/15 Des Horizons #1 +1CD d'Indy's Symphonie sur un chant montagnard with Marek Janowski 1/30/15 American Classics +2CDs Thomas Hampson's Songs by Ives, Griffes, MacDowell & Glass Syms 2 & 3 by M. Alsop 1/30/15 Brahms Piano & Chamber Music Gems +1CD Andrea Bonatta's recording of 8 Klavierstücke, Paganini, Rhapsodies 1/29/15 Keyboard Music on harpsichord Added new links 1/28/15 HIF Biber and comtemporarie




The Boston Musical Intelligencer

August 19

Weimar Enlivens Berkshire Hills

Ozawa Hall turned into a time machine Sunday, transporting the audience to a Weimar cabaret. Aided and abetted by Meow Meow and members of the Australian Chamber Orchestra, Richard Tognetti (violin & artistic director), Barry Humphries presided over a foray into what the Nazi’s deemed degenerate (Entartete) music. A suitcase of music Humphries purchased in the late 1940s from a Mr. Evans of Swanston Street, Melbourne supplied the conceit. Filled with music by Krenek, Korngold, Weill, Schreker, and colleagues, this collection once belonged to Richard Edmund Beyer (the name stamped on the sheets). Of Beyer we learn nothing, yet thanks to many years of persistence, study, and kismet, Humphries can present this concert. During the first half, Humphries told stories from the stage. Narrating this history and connecting dots among composers, he served as our Cicero to Weimar music. One telling anecdote: Humphries and David Hockney were in Los Angeles touring a re-creation of Hitler’s infamous “degenerate art” exhibit. Asked why he thought so many artworks had survived, Hockney replied, “Because somebody loved them.” Clearly Beyer loved this music enough to transport it to Melbourne, and Humphries enough to explore it, ultimately organizing this concert. And there is much here to love. Click here for the complete program. Suitably louche musicians dressed in black pants, shirts, and fedoras milled about the hall, improvising before the concert began with Hindemith’s instrumental Kammermusik No. 1, op. 24, a delightfully expressive study in contrasts which ranged from manic to pensive with jazz inflections and crunchy, chromatic harmonies. The atmosphere was set. Humphries came to the fore, “disguised as myself” (as opposed to his more famous alter ego, Dame Edna), welcoming us in words lifted from Cabaret. Sporting Herman Munster drag (seemingly a velvet jacket with a double-rope closure in the front) Humphries embarked on patter combining ad libbed quips (describing man’s sartorial choices of an earlier decade as blue blazers with “epaulets of dandruff” will stay with me for years), historical background about Weimar culture, and details about the music and composers. A couple representative works illustrated Humphries’s points, including snippets of Krenek’s “Jonny spielt auf” and Ježek’s “Bugatti Step” (a jazzy number embracing a 1920s love of speed). Although Humphries did croon on a couple numbers, most of the singing fell to cabaret star Meow Meow (née Melissa Madden Gray, and not to be confused with that other Australian Meow-Ludo Disco Gamma Meow-Meow, politician for the Science Party). She made her entrance with Spoliansky’s “Jonny spielt auf” from Alles Schwindel, a number setting the stage for the movable morality of the time. Hailed as a “post-post-modern diva,” Meow Meow sings with a warmth, a profundity, and a grace, which animate the music and excite the ear. All were in evidence for Weill’s “Seeräuber-Jenny” from Die Dreigroschenoper. An absolute delight followed: musicians of the ACO put down their instruments and voiced the Dadaist proto-rap “Geographical Fugue” by Ernst Toch. Back to their instruments, they launched into Schulhoff’s “Jazz” from his Suite for Chamber Orchestra. If the first half felt staid or restrained or even old-fashioned, what came after intermission seemed closer to the free-spirited ethos of 1920s and early 1930s Berlin. Abraham’s “Mousie” from Viktoria und ihr Husar and Spoliansky’s “Ach, er hasst” move the bedroom, bringing sex to the stage—be it playful or painfully (masochistically) serious. Meow Meow, joined by violinist Satu Vänskä (who has a remarkably rich and sultry voice), sang Spoliansky’s “Wenn die beste Freundin” which winks, nods, and nudges at lesbian attraction. (The staging, replete with kiss, removed ambiguities and updated this number for today’s audience.) Schulhoff’s “Sonata Erotica” (“Nur für Herren”) is a spoken-word work scored for “Solo-Muttertrompette” and consists of a woman simulating a multi-page orgasm in public. Equally shocking although in another vein is Krenek’s Potpourri, op. 54; with its whiff of death, the music is an admixture of styles. While it looks forward to Schnittke, it also looks back to Mahler; had he lived longer, Mahler could have written this. The concluding piece Hollaender’s “The Ruins of Berlin” from the film, A Foreign Affair, with lyrics in the languages of the four occupying powers of postwar Berlin, thematizes the history of the Weimar Republic and nods to the destruction and the resurrection wrought upon Mitteleuropa in the mid-20th century. The musical selection revives works largely forgotten, by composers often considered obscure, and makes an argument about the energy and vibrancy of Weimar culture. Jazz influences were prominent in rhythm, harmony, and form; innovation proceeded on multiple fronts at once, questioning rules of harmony, limitations of music, and confines of morality; musical explorations were playful and combinations of styles, differing musical traditions, abound. Much of the humor remains distinctly Germanic, and the prevalent audience (then, and now) remains a heterosexual majority sufficiently repressed to revel in the illicit nature of this cabaret. Barry Humphries and Meow-Meow (Hilary Scott photo) There was an inherent anachronism to the concept. The suitcase of music takes us back several decades and Humphries embraced the retrograde nature of the undertaking. As the night advanced, the atmosphere took on a more sexual charge, even as it became more playful and energetic, less familiar or staid. The calibre of performance remained very high throughout the evening. The placement of composers whom we normally hear in isolation into a context provided an unexpected pleasure: Schulhoff and Krenek, for example, acquired a richness and depth I could not appreciate when I had earlier heard single compositions in isolation. Never having heard Michael Tilson Thomas’s “An Evening with the Thomashevskys,” I cannot offer points of comparison between that re-animation of Yiddish vaudeville and this night of cabaret. Perhaps commentators can weigh in. Barry Humphries and the Australian Chamber Orchestra deserve praise for undertaking a repertoire “so full of energy, excitement, and optimism and yet reflecting at times a premonitory hint of the cataclysm that would soon follow.” Let us hope that future such remain at bay. Cashman Kerr Prince, trained in Classics and Comparative Literature, is now a Visiting Scholar in the Department of Classical Studies at Wellesley College. He is also a cellist of some accomplishment, currently playing with the Brookline Symphony Orchestra. The post Weimar Enlivens Berkshire Hills appeared first on The Boston Musical Intelligencer .

The Boston Musical Intelligencer

August 12

Nelsons To Replace Recuperating Dohnányi

Music Director Andris Nelsons will lead the Boston Symphony Orchestra in its now traditional season-ending performance of Beethoven’s Symphony No. 9 on Sunday, August 28th, at 2:30 p.m. in place of 86-year-old Christoph von Dohnányi, who had cataract surgery earlier in the summer, and whose recovery was more difficult than expected: he cancelled his earlier Tanglewood weekend on doctor’s orders. At that time, he expected to be able to get to Tanglewood for the closing Beethoven Ninth, but apparently he’s still not cleared to fly. Andris Nelsons became available for the final Tanglewood weekend after he withdrew from Parsifal at Bayreuth. Nelsons did the Beethoven Ninth last summer at the Proms as his final appearance in the role of Music Director of the City of Birmingham Symphony Orchestra. According to member of the Tanglewood Festival Chorus Steven Owades, “We in the chorus (and orchestra) are looking forward to our first opportunity to explore the B9 with Andris. The tradition of ending the Tanglewood season with Beethoven 9 is pretty well established, but it doesn’t date to the early years of the festival. Leinsdorf’s gave his farewell performance with it in 1969, and the newly-formed TFC sang it in both the spring and summer of 1970, but it was a while before annual performances became standard. In some seasons, B9 has come before the close, but in recent years it’s concluded the series. The excellent BSO Archives tells us everything we need to know about B9 performance history. There was indeed a Koussevitzky performance as part of the opening event for the Music Shed, which also included the opening and closing choruses of Bach’s Cantata 80; much the same program was repeated for the 65th anniversary of the Shed in 2003 under James Conlon, and under Seiji Ozawa for the 50th anniversary in 1998. B9 came without Bach under Bernard Haitink for the 75th anniversary in 2013. Years in which there was no B9 include 1939–41, 1943–45 (I believe the Festival was on hiatus because of gasoline rationing in those years; not sure why there was a performance in 1942), 1948–54, 1956, 1963–65, 1967–68, 1971, 1977–78, 1980–81, 1983, 1985–87, 1989–90, 1992–93, 1995–96, and 2011. Most of the performances were played by the BSO, but but it has been done by the Tanglewood Music Center Orchestra, the New York Philharmonic (Zubin Mehta, 1979), the Cleveland Orchestra (Christoph von Dohnányi, 1991), and the Israel Philharmonic (Zubin Mehta, 2001). In the current century/millennium, these performances have all been at the end of the Tanglewood season, except for 2006 (when James Levine opened Tanglewood with the B9; he was never available at the end of the summer) and 2007 (when the BSO left for a European tour just before the last weekend). In 2001, which was also a tour year, the Israel Philharmonic played and a second section of the TFC sang (I was part of the tour group); those same forces also traveled to the Mann Center near Philadelphia for a second performance. It can be entertaining and informative to explore the BSO archives. But beware of some errors that exist in their database, as well as issues you may not have thought of: this search says there are 57 results, but some of those are open rehearsals which means that a given performance is effectively counted twice. According to the BSO PR, The Sunday, August 28, performance of Beethoven’s Ninth Symphony features the Boston Symphony Orchestra, Tanglewood Festival Chorus, and vocal soloists including soprano Rachel Willis-Sørensen, mezzo-soprano Ruxandra Donose, tenor Joseph Kaiser, and bass Günther Groissböck. The program will open with Copland’s Quiet City, featuring BSO principals Thomas Rolfs on trumpet and Robert Sheena on English horn. Before the Sunday, August 28, performance, Maestro Nelsons returns to Tanglewood on Saturday, August 20, and Sunday, August 21, for two programs with the BSO. On Saturday, August 20, at 8 p.m., he leads the orchestra and the Tanglewood Festival Chorus in Acts I and II of Verdi’s Aida, featuring soprano Kristine Opolais in the title role, along with mezzo-soprano Violeta Urmana as Amneris, tenor Andrea Carè as the male lead and love interest Radamès, tenor Alfredo Nigro as the Messenger, baritone Franco Vassallo as Amonasro, bass Morris Robinson as The King, and bass Kwangchul Youn as Ramfis. On Sunday, August 21, at 2:30 p.m., Nelsons leads a program largely made up of music influenced by Shakespeare, honoring the 400th anniversary of the Bard’s death. The program includes the overture to Berlioz’s Béatrice et Bénédict (based on Shakespeare’s Much Ado About Nothing), American composer George Tsontakis’s Sonnets, a Shakespeare-inspired concerto for English horn and orchestra commissioned by the BSO and featuring BSO English horn player Robert Sheena; Prokofiev’s Romeo and Juliet; and Saint-Saëns’s Piano Concerto No. 5, Egyptian, featuring Croatian pianist Dejan Lazić, making his BSO and Tanglewood debuts, as soloist. The post Nelsons To Replace Recuperating Dohnányi appeared first on The Boston Musical Intelligencer .



The Boston Musical Intelligencer

August 12

50 Years of Music- and Musician-Making

Phyllis Elhady Hoffman (Natasha Moustache) The Boston University Tanglewood Institute celebrated its 50th anniversary Saturday with a gala concert and “soiree” reception, highlighting the artistic legacy of BUTI (affectionately pronounced “booty”) by featuring students of the 2016 Young Artists Orchestra and Chorus Programs along with a host of alumni performers and composers. Throughout the day, the artistic strength and impact of BUTI on both local and national levels was well-defined, clearly detailing the half-century of dedicated musical pedagogy under its wing, as well as how it fostered the rising crop of classical music’s future. At the same time, it made smashing entertainment. With the urgent appeal of BSO director Eric Leinsdorf, BUTI began in the summer of 1966 under the leadership of Boston University’s then School of Music director Wilbur Fulbright. BUTI was meant to offer professional level training to high school-aged musicians as the Tanglewood Music Center (TMC) offered to college students. Currently, BUTI offers six-week programs in orchestra, voice, composition and piano, a four-week wind ensemble program, and two-week instrumental and opera intensives, which collectively engage 350+ students per summer. To this day, BUTI remains the only program of its kind with a direct connection to one of the world’s leading symphony orchestras. Several alumni performers in Saturday’s program are current members of the BSO, including some that also were TMC fellows. Certainly one of the most magical elements of summers at Tanglewood is the cross-pollination of these various ages and levels of musicians, who study and create musical art. BSO members participating as BUTI alumni included violinists Glenn Cherry (BUTI ’91) and Gerald Elias (BUTI ’69), cellist Owen Young (BUTI ’79, ’80), bassists Todd Seeber (BUTI ’80) and Lawrence Wolfe (BUTI ’66), and percussionists Daniel Bauch (BUTI ’96, ’97, ’98), Kyle Brightwell (BUTI ’04,’05, ’06) and Tim Genis (BUTI ’84), as well as BSO assistant conductor Ken-David Masur (BUTI ’96). Preceded earlier in the day by a piano recital and alumni panel, the 2:30pm Seiji Ozawa Hall concert was emceed by Lauren Ambrose of Six Feet Under fame, a ’94 and ‘95 alumna of BUTI’s vocal program. Eloquent as she was lovely, Ambrose expressed the nostalgic wonder of someone returning to one of the important foundational building blocks of her life in the arts. Ken-David Masur, who along with his BSO duties throughout the summer, conducted the orchestra in this program, and is coaching and conducting them in their final of three concert rotations, also spoke. The Overture from Wagner’s Die Meistersinger, which opened the 1966 season, as well as this one, allowed the players to give early proof that this is no mere high school orchestra. As usual, the Young Artists Orchestra (YAO) proved impressive not just for their youth, but also for their expressive abilities. Throughout the orchestral sea of young faces following Masur’s steady hand, sat a number of older ones, adorned with red carnations upon their lapels. These BUTI alums included the above-mentioned BSO members, as well as several BUTI faculty members and guest artists. The mix of young and old on stage spoke to the unending nature of the music we create. Muir Quartet members Peter Zazofsky and Lucia Lin on violins, and Steven Ansell (BUTI ’71) on viola next gave the first movement of Zoltan Kodály’s Serenade, Op. 12 for two violins and viola. The Muir Quartet, a resident ensemble at Boston University, showcased some of the faculty at BUTI. The impassioned performance was what is to be expected from the Muir Quartet, but what was perhaps even more enrapturing was the setting in which the performance took place. The trio was crammed just to the side of the conductor’s podium, with the student orchestra still seated behind them – three musicians in tight quarters, giving an intimate performance in the round. One could not help but notice the young string players sitting behind the trio, watching their elders’ bow strokes with the rapt attention of those realizing that their dreams were a possibility. In perhaps the most light-hearted moment of the day, the cello and viola sections of the orchestra exited the stage to give clear view of the basses, as filled out with BSO members Wolfe and Seeber, as well as BUTI faculty member and bass coach Brian Perry. An attendee of the inaugural 1966 BUTI season, Wolfe celebrated this with his own arrangement for bass ensemble entitled It All Starts with Koussy. Built as a stream of excerpts, beginning with Kousevitsky’s bass concerto and continuing with works that Wolfe performed during that inaugural season, including the aforementioned Wagner, Mozart’s Magic Flute, Beethoven’s 5th and 7th Symphonies, Schubert’s “Trout” quintet, Strauss’ Ein Heldenleben and Tchaikovsky’s 1812 Overture, the arrangement was endearing for eliciting warm-hearted chuckles. Also unquestionably endearing were the occasional devilish grins that Wolfe flashed to the still-seated violins across the stage. As the upper melodic portions of the arrangement stretched to the end of and beyond the basses’ fingerboards, one could grab a glimpse of a young Wolf back in 1966, relishing in the same excitement he did then. The first half of the program concluded with a return of long time BU and BUTI choral conductor Dr. Anne Howard Jones to the stage. She entered to a swell of cheers, pointing to the large number of vocal alums that would join the program in the second half. Jones led the combined orchestra and chorus in a performance of Handel’s Coronation Anthem No.1, “Zadok the Priest.” Jones’s warm demeanor and steadfast musicality proved, clearly merited the swelled cheers that marked her arrival. The second half of the program featured two commissions specifically for this event. The first, Landlines for large mixed-brass choir by New York-based composer Timo Andres (BUTI ’00, ’01), engaged in celebratory brass in a more restrained style. Indeed, the piece exists in majestic long lines set above a subtle, yet constant undulation. The connected waves of sound unfolded like the ups and downs of a not-too distant mountain range, as viewed from a speeding highway—stasis and motion in simultaneous existence. Landlines eventually moved to a more rhythmic apex, but never strayed from its long-lined essence. Well-designed mute changes highlighted its colors by utilizing all the mixed ensemble’s facets. BUTI faculty member and Metropolitan Opera Orchestra Principle Trumpeter David Krauss (BUTI ’88), BSO brass section members Thomas Siders (trumpet), Toby Oft (trombone) and Mike Roylance (tuba) joined the group, and BSO Principle Horn Jamie Somerville led the forces adeptly through this fitting, landscape. Composer (and BUTI alum) Nico Muhly, Lauren Ambrose, longtime BUTI Artistic Director Phyllis Hoffman (honored at event), and Dean Lynne Allen (Natasha Moustache photo) The current Young Artists Chorus director Katie Woolf led the BUTI choir in performances of Frank Ticheli’s Earth Song and Tarik O’Regan’s “From Heaven Distilled a Clemency” from Triptych. Ticheli’s overlapping melodic lines and the thick choral texture atop O’Regans rhythmically pulsating marimbas once again showed the artistry of these young singers. Soloist Sarah Nalty’s (BUTI ’16) pure tone sang clearly and brightly throughout Ozawa Hall. The second of the two commissioned pieces had technically premiered on a percussion recital the prior week. Nico Muhly’s Pulses, Cycles, Clouds disclosed a 20-member percussion ensemble that comprised the ten composers from BUTI’s class of 2016, as well as five alumni percussionists, including the BSO’s Bauch, Brightwell and Genis, as well as Houston Symphony’s Matthew Strauss (BUTI ’90, ’91) and Jonathan Bisesi (BUTI ’96), a member of the President’s Own Marine Band. Pulses took inspiration from the friendship between Muhly (BUTI ’96, ’97) and the BUTI percussion director Samuel Solomon (BUTI ’95, ’96, ’97) that began 20 years early during a summer at the institute. It perfectly stands for what BUTI can be, a simple friendship that formed between two young students, blossoming into collaborative artistic endeavors between two increasingly important figures in their respective fields. In correspondence with the author, Muhly wrote of the piece, “…I wanted to write something that reflected my experience of being a [YACP] composer, which was to say, that percussionists were nice to me and I realized the importance of having your music in the fingers of good musicians rather than having it just existing in your head. So I wanted to make sure that the composers got to participate as musicians, too!” Like much of Muhly’s music, the piece bubbles with an almost unconstrained, relentless, yet fully controlled energy. A group of marimbas provides a constant undercurrent that exists as a bed for crystalline melodic outbursts of glockenspiel and vibraphone. Above this, quasi-aleatoric swells of sound came from the group of composers seated in front of the pitched percussion, playing choirs of woods and metals at various points in the piece: sonorous bursts of tapping floating above the pitched structures. Midway through, the pitched metals drop out, finding the marimbas in a sudden shift from sound bed to forefront, as though the perspective on a bustling city street just shifted and elements always there, but perhaps semi-unnoticed, came starkly into importance. This tactful shift of sonic space helps propel the structure of the work though time, with the ringing metals eventually wafting back above. The multi-faceted river of sound pulls through the close of the piece, but speaks to a world that might be now continuing beyond us, never really finishing, just past our ability to hear it. The orchestra began the concluding set with Brahms’s Academic Festival Overture, which Masur chose, he told us, because the composer was thinking about students, not academic administrations. The students of this festival orchestra enthusiastically brought out the songful and jovial nature of the quotations buried within. Finally, the chorus, now expanded with a large number alumni, entered in the balcony above the orchestra, and to the front of the stage came soprano Sara Heaton (BUTI ’99) and tenor Matthew DiBattista (BUTI ’90, ’91), also accompanied by a small group of BUTI students, as featured soloists. Together, this collection of current and former BUTI students, aspiring amateurs and professionals gave us Bernstein’s “Make Our Garden Grow” from Candide. The orchestra played beautifully behind, but when this orchestral bed dropped out and the full chorus entered with a tutti forte, a clear chill could be felt throughout the hall, as though Bernstein himself had just sauntered in to pay his respects to the semi-centennial celebration. A more perfect close to the program could not have been chosen. It was powerful, nostalgic and magical, all wrapped into a single moment, the type of experience that will sit as strong in the memories of the performers as Wolfe’s first summer in 1966. It reminded us that Bernstein forms part of the essential soul of Tanglewood—the music, the shared experiences, the education—a perfect embodiment of this place. Following the concert, long time BSO radio announcer Ron Della Chiesa hosted “BUTI@50 Soiree”. It began with Tanglewood Fanfare for double brass quintet, composed by 2016 Young Artists Composition Program student J.P. Redmond. Selected out of a YACP fanfare project during the summer, the work sparkled with the articulate gestures commonly associated with the genre, while also incorporating flurries of insect-like melodic runs to punctuate the pointed brilliance of the texture. It rose to a blaring, yet dignified apex before ending in its regal tone. The soiree continued with a number of speeches by speakers including Robert Brown, the president of Boston University; Berkshire area selectmen William “Smitty” Pignatelli; and BU College of Fine Art Dean ad interim, Lynne Allen. While Brown’s speech focused on the respect BU has for its young music makers, Pignatelli’s words called on the importance that BUTI has on the local Berkshire economy, ending with a citation in honor of Wilbur Fulbright. Allen’s speech was directed at the legacy of long time BUTI executive director Phyllis Hoffman, detailing Hoffman’s unending dedication to the program and how she nurtured it into the top-ranked summer music institution that it is. The currents students and alumni take a final bow at the end of the performance. (Natasha Moustache photo) Humbly accepting the praise bestowed upon her, Hoffman spoke next. In her usual manner, she delivered an unscripted, completely eloquent call to the importance of the arts—with emphasis on the musical arts—as part of our cultural value system. She made clear that this program was not simply about helping young students become better musicians, but really about helping young students be better people that can add value to the world around them. Her words were delivered with the binding presence that her life on the operatic stage lends her. There was no question that her dedication continues past her position. This dedication was honored, as the speeches ended with the now executive director of BUTI, Hilary Field Respass, announcing the establishment of the Phyllis Hoffman Scholarship Fund. Respass stated that, “This fund will support scholarships awarded to Boston University Tanglewood Institute students who demonstrate exceptional talent and financial need, aligning with Phyllis’s vision to ensure that the most talented young musicians from across the country, regardless of socio-economic status, have the opportunity to experience the transformational impact of a summer at Tanglewood.” Then came a flurry of photos, friendly smiles and group discussions about BUTI’s impact: what it did for individuals and what it does for us all. The day testified to the strength and importance of the Institute as a bastion of musical training. It can perhaps be best summed up in words Lauren Ambrose delivered from the Ozawa stage in her final address the audience, “BUTI has not only been an incredible gift to us, but through us, we hope it has been an incredible contribution to the world.” BUTI’s 50th anniversary season ends this coming weekend with concerts including the Young Artists Orchestra, Ken-David Masur, conductor, at Seiji Ozawa Hall on Saturday, August 13th at 2:30pm. The reviewer/advocate is the Associate Director of the BUTI Young Artists Composition Program, as well as a graduate and adjunct faculty member of Boston University’s College of Fine Arts. Justin Casinghino, a composer, performer and educator living and working in the Boston area, serves on the faculties of Boston University and Massachusetts Institute of Technology. www.jdcas.com The post 50 Years of Music- and Musician-Making appeared first on The Boston Musical Intelligencer .

The Boston Musical Intelligencer

August 8

No Contest Between Mighty Russians

The Emerson Quartet demonstrated yet again what it takes to stay near the front of the increasing crowd of string quartets. Arriving Thursday in Wellfleet’s Congregational Church in the Cape Cod Chamber Music Festival after a five-and-a-half-hour drive, they played amazingly well on a warmish night in a soldout hall with air conditioning compromised at best. The three upper strings stood, as is their wont, while cellist Paul Watkins sat resplendently on an elevated platform. But the heat, fatigue, and perhaps some monotony took its toll on Schubert, who should have charmed, seduced, cleansed the palate for the main course, billed gently as a competition between two mighty Russians: Tchaikovsky and Shostakovich. For those into making choices during this season of bitter national contest, Schubert seemed this evening shunted aside as a wilted green party, while Shostakovich won hands down over Tchaikovsky, who sounded remarkably uncomfortable with the quartet medium. Schubert’s Rosamunde Quartet, D.804, first performed in 1824, four years before his death, has to be among the 20 quartets most frequently played, given that it’s wonderful to hear in concert and also doesn’t make overwhelming technical demands on amateur hands. No need to write a lot about it. It joins Death and the Maiden and the extraordinary last quartet to form a threesome that’s entirely different from the dozen (plus unfinished works) Schubert composed when younger. Some view it as a sad work reflecting his illness and inexorable march toward an early death. Others hear the melancholy subservient to an upbeat outpouring of incomparable lyricism. Whatever; it’s extraordinary. The Festival caters to a loyal following that presumably came to hear a renowned ensemble offer a fresh and special Rosamunde. That didn’t happen. The performance felt weighty, almost scripted. Not only did it lack spontaneity, but intonation also, particularly at the start, could have been better. The first movement was slow and long even though the customary repeat was left out. The marvelous Andante that gives the quartet its nickname lacked give and take and ambled along. The remarkably inward-looking scherzo felt heavy, and even the ebullient final movement lacked sparkle. Phillip Setzer, who played first violin in this and the Shostakovich, was largely responsible for my disappointment. He sounded as if he wasn’t having fun, in contrast to the terrific playing he later exhibited in the Shostakovich. He has an amazing bow arm and for the Schubert produced a rich sound, but he offered little variation in his constant vibrato and dynamic contrast, and his use of rubato appeared calculated rather than improvisatory. Playing second violin, Eugene Drucker seemed both more engaged and engaging, varying his pure, lean, and sparkling sound and darting in and out as if trying to enliven the proceedings. Lawrence Dutton’s viola playing furnished some drive, but his sound too did not vary much. Paul Watkins, sounding both warm and at times gratifyingly gruff, brought more energy, but even he could not bring it all to life. It was a different story when the group, without leaving the stage, moved right into the Shostakovich Quartet No. 10. Written in 1964 to honor fellow composer Moisey Vaynberg, it’s a four-movement work with a short first movement in which each instrument establishes its unique personality, taking their time before all play together. While there is little thematic material that repeats, it was uncanny how the movement provided a quiet, at times ghostly, yet coherent introduction to what followed. The second movement abruptly shattered reverie. A ferocious march arrived, a thunderous bolt of lightning that pushed the players to their limits. A gentle slow movement with a memorable passacaglia followed, and then a characteristically long finale that started calmly, turned into a gentle dance, became energetic and complex, and slowly faded into a calm and contemplative ending. Even among his remarkable 17 works in the medium, it is extraordinary, and the Emerson demonstrated why they have played such a large part in bringing the quartets of Shostakovich into prominence. Setzer redeem himself. In the Schubert his bow was far away from the bridge almost throughout, leading to a warm color that lacked edge. But now he often moved his bow closer in and drew the gritty, astringent sound that serves Shostakovich so well. His colleagues joined in. We heard each voice speak separately with ease, yet extraordinary unanimity in impulse prevailed; virtuosity and ensemble were staggering. In the brutal second movement, Furioso, I worried that Watkins might leap off his perch as he demonstrated why he’s invited to play the big concertos with leading orchestras worldwide. Memorable also was Dutton’s lesson in how to play sul ponticello; his bow virtually on top of the bridge produced a sound that was otherworldly. And again, Drucker drew the listener in; almost every note seemed to have character, while magically fitting in. Despite being very well-played, all I can say is that hearing Tchaikovsky’s String Quartet No. 3 left me content with no wish to encounter it soon again. Only two of Tchaikovsky’s chamber works for strings are heard often: the piano trio and the Souvenir de Florence sextet. Virtuosi enjoy showing off with them, but overall they may be more fun to play than to listen to. Tchaikovsky just doesn’t sound that comfortable with this genre. Had I not heard this quartet in the past, I would not have had a clue that he was the composer. It’s long, almost 40 minutes. It feels stiff and dutiful, obeying rules of composition and only rarely surprising the listener with an unexpected turn. I have the strong feeling that a demanding editor might have made it a lot better by convincing Tchaikovsky of the need to cut it by a third. In the first two and the last movement, little riffs of no particular consequence are repeated again and again. His melodic gift seems largely quiescent, although the first violin and the cello get ample opportunity to show off. The third movement, a funeral march in memory of Tchaikovsky’s friend Ferdinand Laub, a violinist and colleague at the Moscow Conservatory who championed his two earlier quartets, is the high point. Perhaps in tribute to Laub, the first violin, dutifully echoed by the lower strings, leads some beautiful, reflective moments. Apparently, when first heard, after Laub’s death in a house concert, this movement brought friends and family to tears. But even that movement seemed studied, and I had the sense that few in the audience felt differently. The applause at the end of the quartet was short, and today’s obligatory standing ovation was slow to start. Standing and sitting at Ozawa Hall (Hilary Scott photo) It was, however, very well-interpreted. Drucker, now the first violin, sounded splendid. His colorful playing showed wide range in volume, color and nuance. Watkins matched him, enjoying himself and taking full advantage of opportunities for eloquence. The two inner voices, also fine, felt less individual and perhaps a bit cut and dried. In comparing it with a much earlier recording by the Borodin Quartet, the overall sound didn’t knit in a way that might draw the audience in effectively. Which leads to consideration of what the instruments may have contributed to the proceedings. For this concert, Drucker used a very early Stradivarius, and Watkins played his remarkable cello that shows the hand of the two preeminent 18th-century Venetian makers, Gofriller and Montagnana. In contrast, Setzer and Dutton played on modern instruments created in recent years by Samuel Zygmuntowicz in New York City, a highly prized maker whose instruments have skyrocketed in value following favorable commentary by none other than the late Isaac Stern. They are powerful and can sound beautiful, as both Setzer and Dutton demonstrated, but they may not have the range and the unique character of grand old instruments. Drucker plays on both a Strad and a Zygmuntowicz (for those who’d like to pursue the question, the opinions of both Zygmuntowicz and Drucker are highlighted in John Marchese’s stimulating The Violin Maker), and I was glad he chose to play the former fiddle on Thursday night. Tom Delbanco is the Koplow-Tullis Professor of General Medicine and Primary Care at Harvard Medical School and Beth Israel Deaconess Hospital. An avid violinist since age nine, he has particular interest in the evolution of stringed instruments from the 16th century on. The post No Contest Between Mighty Russians appeared first on The Boston Musical Intelligencer .

Seiji Ozawa

Seiji Ozawa (September 1, 1935) is a Japanese conductor, particularly noted for his interpretations of large-scale late Romantic works. He is most known for his work as music director of the Boston Symphony Orchestra and principal conductor of the Vienna State Opera.



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